In der Härte des Alltags entscheidet sich, ob ein Produkt überhaupt bestehen kann. Hier stellen wir Ihnen einige namhafte internationale Adamson User vor. Kein Testbericht und keine Messung kann mit diesem Urteil mithalten, da diese Erfahrungswerte ausschließlich im Produktionsalltag entstehen.

	Adamson's Y10's and Y18's in addition to the T21 Sub, creates a complete package. I feel like I'm a salesman for this PA, but I'm really excited about it because of how good it is. The efficiency of the T21 sub is unlike any other sub. Kenneth “Pooch” Van Druten FOH Engineer: Linkin Park
	“I found the T-21 Sub to be very responsive and warm. Thanks Brock Adamson!” Charlie Ferguson FOH Engineer: Sam Robert’s Band
	“The difference with this sub is the 21" Kevlar drivers, they're fast, punchy and responsive, nothing like other 21's. Superb!” John Ryan Nile Rodgers & Chic European Production FOH Engineer: Kool and the Gang
	“I’m not used to having 6000W power with my usual touring subs- I’d love to get my hands on them again.” Maurizio Gennari FOH Engineer: Depeche Mode
	"I have found the Adamson Y-AXIS to be the paramount line array system after mixing shows on all the best systems available. We use local audio companies for our tours with David Grisman, but we travel with our own Neumann KM 84 microphones. I advance each show with very specific requests for the sound system and the Y-AXIS line array is now my choice for all my events." Larry Cumings Grammy Award-Winning Engineer FOH Mix Engineer: David Grisman Quintet Audio Producer: Strawberry Music Festival, Yosemite
	“I've had trouble in the past with slow transient response from large subs, but the kevlar construction makes the drivers move really quickly and precisely.” Jonathan Lucas FOH Engineer: Guillemots
	“When you get in path of the T-21 Subs, the difference is incredible. I love them.” Harley Zinker FOH Engineer: The Strokes
	"I read the specs, then I used the box. The T21 sounds even better than it looks on paper. This box is a must have for any rock show!" James McCullagh FOH Engineer: INXS
	"It was like driving a REALLY FU%$*%# fast car!" "It was a pleasure" Robbie McGrath FOH Engineer: Rolling Stones, Pete Yorn
	"On the ‘Just For Kicks World Tour 2002‘ with INXS, I’ve mixed on every major system that is available on the market… "The Adamson Yaxis has the best midrange image that I have used, and headroom for days on the vocals!! "Cheers Brock & your team!!" Tommy .D. FOH Engineer: INXS with Brock Adamson
	“I thought the system performed brilliantly. Bob's show is by its nature a fairly quiet one, and we didn’t have to install loads of infills. We just had the two big stacks each side and some centre fills. The coverage was excellent. On some of the shows where we weren’t using our regular production, we used other well-known system brands, and I found that in comparison the ratio of coverage to numbers of boxes with the Adamson was superior. I’d like to use it in a bigger venue because it’s really a long throw box, but it adapts very well to theatres. Now that I’ve got my head around how it works, I can’t wait to work with it again!” Sean Busby-Little FOH Engineer: Bob Geldof Tour
	Will Cotter had the opportunity to test drive Adamson's Yaxis while mixing at We The Planet, a music and activism festival that took place at Speedway Meadows in San Francisco's Golden Gate Park. The Y18 rig was supplied by Golden State Sound. "That was the first time I've used the Adamson line array, and I was very impressed - there was a warmth and fullness in the low mids that I've missed in some other line arrays I've used. I walked around a bit during the other performances, and the system carried well; there was a single mono delay stack behind the FOH position, which filled in the rear center very nicely. "It was a wonderfully responsive rig, which was great since it was a festival with no soundcheck. I thought the rig was perfectly sized for the area - there was plenty of volume and headroom, yet it was arrayed to keep sound from bleeding out too much from the audience area. I like to think of line arrays as the sound industry's answer to moving lights - a tool that lets you place the sound you want, where you want. "Thanks for such a great rig." Will Cotter FOH Engineer: CAKE Oakland, CA